Hannah Hallam-Eames’s ongoing research unfolds as a metamorphic journey that spans across space and time. This research encompasses immersive installations, drawings, writings, and enigmatic objects born from meticulous field and laboratory research conducted within environments where solid geological terrains transition rapidly into liquid states.
These immersive installations serve as tangible manifestations of the interplay between synthetic and natural materials. They feature a diverse range of processes, including waterjet-cut and hand-carved marble, microscopic images of Martian meteorites, live cyanobacteria, and recycled, chipped, and thermo-formed plastic waste.
Most recently, Hallam-Eames was a participant in the Postnatural Independent Program with the Institute for Postnatural Studies in Madrid, as well as being selected for the Ars BioArtica science and art residency program at the Kilpisjärvi Biological Station in northern Finland.