Visit

69 Capel Street, West Melbourne VIC 3003

Open 12pm-5pm, Thursday - Sunday

Access

KINGS Artist-Run is a wheelchair accessible venue. Unfortunately, there is no wheelchair accessible toilet. Please contact the gallery with any access requirements and we will endeavour to support your visit.
KINGS Artist-Run Social Story

Email ›
Facebook ›
Twitter ›
Instagram ›

Subscribe To Our Newsletter







About

Kings Artist-Run provides a location for contemporary art practice, supporting distinctive experimental projects by artists at all stages of their careers.
More information ›

KINGS Artist-Run acknowledges the Wurundjeri and Boonwurrung people of the Kulin Nation as the Traditional Custodians of the land on which we operate.

We offer our respect to Elders both past and present and extend this offer to all Australian First Nations people.

Dissociative dialogues

Fleur Summers


07 August 2015–29 August 2015

Daydreaming is a kind of mild dissociation…you forget where you are and what you’re doing…your mind wanders, thoughts bubble up and float by, subconscious plans coalesce, new ideas emerge and problems are solved…

Dissociative Dialogues employs recognisable social objects and processes to encourage physical interaction in novel ways. Everyday activities such a walking promote thinking through mild dissociation. As we rely on procedural memory and suppress active thought, we allow the mind to consider alternate, potentially rhizomatic, ideas

Dissociative Dialogues combines the contemplative activity of lying in a beanbag with the rhythmic activity of pedalling to promote daydreaming.

Whilst the hybrid character of the work is visually interesting, the nature of the work is largely determined by the encounter and response of participants and once activated will create lively and interesting physical and conceptual interactions.

See all projects by:


  • Fleur Summers is a Melbourne based artist and is currently undertaking a PhD in the School of Art at RMIT University. Dissociative Dialogues is part of a more expansive interest in the nature of sculptural encounter and how our bodies interact with art objects.