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69 Capel Street, West Melbourne VIC 3003

Open 12pm-5pm, Thursday - Sunday

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KINGS Artist-Run is a wheelchair accessible venue. Unfortunately, there is no wheelchair accessible toilet. Please contact the gallery with any access requirements and we will endeavour to support your visit.
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About

Kings Artist-Run provides a location for contemporary art practice, supporting distinctive experimental projects by artists at all stages of their careers.
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KINGS Artist-Run acknowledges the Wurundjeri and Boonwurrung people of the Kulin Nation as the Traditional Custodians of the land on which we operate.

We offer our respect to Elders both past and present and extend this offer to all Australian First Nations people.

Colour My Home, Colour Me

Trinh Mia Dang Brook


19 June 2025–13 July 2025

Colour My Home, Colour Me is a reflection on cultural inheritance, memory, and the profound influence of surroundings on an individual. Through the lens of the camera, familiar spaces are transformed and reimagined. The artist and observer experience this contrast of unfamiliarity and familiarity. With works evolving through the tactile, process-driven methods of the darkroom.

At the heart of this work is an ongoing dialogue with my family’s home – a space filled with objects, light and textures layered with history, routine and memory. It’s instinctive and process-based; I see something, I feel something, and I follow that feeling.

 

 

To view the exhibition room sheet click HERE

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  • Trinh Mia Dang Brook is an emerging artist based in Naarm (Melbourne). Her practice brings together mixed media and photographic methods to explore socio-cultural themes, particularly her identity as a second-generation Vietnamese Australian. Trinh is drawn to experimental, material-based processes that emphasize the act of making and constructing. She works predominantly with photography, exploring different methods of printing and mounting, with an interest in the darkroom. She uses these mediums to question and reflect on memory, place, and cultural inheritance. Trinh’s body of work exists within the context of community whilst examining the western world with non-western surroundings, with a particular sensitivity to the presence of colour and texture.