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69 Capel Street, West Melbourne VIC 3003

Open 12pm-5pm, Thursday - Sunday

Access

KINGS Artist-Run is a wheelchair accessible venue. Unfortunately, there is no wheelchair accessible toilet. Please contact the gallery with any access requirements and we will endeavour to support your visit.
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About

Kings Artist-Run provides a location for contemporary art practice, supporting distinctive experimental projects by artists at all stages of their careers.
More information β€Ί

KINGS Artist-Run acknowledges the Wurundjeri and Boonwurrung people of the Kulin Nation as the Traditional Custodians of the land on which we operate.

We offer our respect to Elders both past and present and extend this offer to all Australian First Nations people.

Untitled (metamorphosis or something)

Michelle Yuan Fitz-Gerald


16 August 2025–16 August 2025

The artist warmly invites you to witness her rebirth at her 1st re-birthday party, the 16th of August at 5.30pm. No presents needed, just presence lol. Please RSVP by the 15th of August 2025 (but if you rock up on the day that is so fine). There will be cake!

P.S. there will be at least one baby attending so no smoking please. Thank you πŸ™‚

 

Content warning: nudity, sexual themes, blood imagery

 

To read more about the event or to RSVP click HERE

 

DRIVEWAY is a new performance program at KINGS Artist-Run of monthly public events such as performances, film screenings, poetry readings, and more, hosted in the KINGS driveway. In 2025 this initiative is supported by the City of Melbourne through the Annual Arts Grants Program.

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  • Michelle Yuan Fitz-Gerald is a multidisciplinary artist, carer, and β–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆβ–ˆ living and working on unceded Boonwurrung and Wurundjeri land. She sometimes works under the name Cloud, which is the literal interpretation of her middle name, yΓΊn (δΊ‘), lovingly given to her by her Chinese mother, and lovingly misspelled by her late white father. As an Asian presenting woman, she draws on lived experience in her practice to explore the subjugation of Asian women. Through witnessing and empathic engagement from audiences, her artistic testimony becomes a conduit for self-healing, enabling her to process, reenact, and rewrite autobiographical events while reclaiming internal and sometimes external spaces.