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69 Capel Street, West Melbourne VIC 3003

Open Thursday, Friday (12–5pm), Saturday, Sunday (12–4pm). Check our Instagram stories for any last-minute disruptions.

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KINGS Artist-Run is a wheelchair accessible venue. Unfortunately, there is no wheelchair accessible toilet. Please contact the gallery with any access requirements and we will endeavour to support your visit.
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About

Kings Artist-Run provides a location for contemporary art practice, supporting distinctive experimental projects by artists at all stages of their careers.
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KINGS Artist-Run acknowledges the Wurundjeri and Boonwurrung people of the Kulin Nation as the Traditional Custodians of the land on which we operate.

We offer our respect to Elders both past and present and extend this offer to all Australian First Nations people.

Advance

Georgia Hayward


10 September 2026–04 October 2026

Advance considers the persistence of colonial systems in the face of ecological depletion. The single-channel video asks what happens when a nation built upon extraction reaches the limits of what its environment can provide, yet remains committed to the imperative of growth.
Australia’s colonial project has been sustained through the transformation of land into resource: something to be occupied, measured, extracted and converted into wealth. Advance considers the consequences of this logic as resources diminish and the conditions of continued expansion become increasingly untenable.
Rather than imagining collapse as an endpoint, the work considers the mechanisms through which systems attempt to defer it. Technological progress, adaptation and innovation become strategies for extending a system beyond its material limits—a means of preserving the structures of power and accumulation that produced its own crisis.

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  • Georgia Hayward [she/her] is an artist, curator and writer of Mardigan and Anglo-Celtic descent. Her practice investigates the systems and infrastructures through which space, identity and collective life are organised. Working across social, spatial and digital forms, she considers the urban environment as both subject and substrate, examining how civic space is constructed, governed and contested, and how these structures shape contemporary social relations. Her work is interested in the relationships between bodies, land, technology and power, and in the possibilities for reimagining the systems through which we live together. Through artistic and curatorial projects, Hayward engages with polyphonic readings of place, foregrounding multiple forms of knowledge and experience.