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69 Capel Street, West Melbourne VIC 3003

Open 12pm-5pm, Thursday - Sunday

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KINGS Artist-Run is a wheelchair accessible venue. Unfortunately, there is no wheelchair accessible toilet. Please contact the gallery with any access requirements and we will endeavour to support your visit.
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About

Kings Artist-Run provides a location for contemporary art practice, supporting distinctive experimental projects by artists at all stages of their careers.
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KINGS Artist-Run acknowledges the Wurundjeri and Boonwurrung people of the Kulin Nation as the Traditional Custodians of the land on which we operate.

We offer our respect to Elders both past and present and extend this offer to all Australian First Nations people.

Bonsai Reimagining

Lan Anh Truong


06 March 2025–30 March 2025

Nature often appears in gardening and agriculture as a construct—an “alter-nature”—that revolves around human desire and intervention. Gardening becomes a somewhat anti-ecological practice, one that places the human gardener in a position of authority, where imposed ideals govern natural growth. Bonsai, similarly, represents a process of shaping and bending plant forms to conform to human ideals of beauty. 

Bonsai Reimagining reflects on our relationship with the natural world through a humanistic instinct to control. Picking up cutting devices and wiring techniques I have seen in my mom’s bonsai garden, I re-examine the concept and practice of gardening through a reconfiguration of mass-manufactured materials, often fitting together by chance in a playful interaction of experimentation and assembly. This body of work contemplates on the relation between the geometric and the organic; seeks to examine the perpetual possibility of spatial arrangement; all while facilitating a middle ground for intergenerational gardening.

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  • Lan Anh Truong is a Vietnamese emerging visual artist studying and practicing in Naarm (Melbourne), whose practice spans painting, sculpture, and installation. Her work explores the spatial potential of found and mass-manufactured objects and materials. This often involves combining the rigour of geometry with organic forms in a playful experimentation of colours, materials, and composition. Her sculptures unfold as drawings in space, gradually shaped and contoured by gravity, in an inevitable tension between control and surrender, embracing the impermanence and imperfection. In recent works, she reconsiders our relationship with the natural world through unpacking the socio-cultural, familial, and intergenerational nuances of her bonsai subject, while suggestively addressing concepts of labour.