The making of Australia on screen was not just a paternalistic bravado apparition dreamed up by a handful of men, but rather an insidious project enabling extractive mining and furthering the endeavours of multinational auto-vehicle and oil conglomerates.
Australian cinema as a distributor of Australian identity and its “necessary ‘whiteness’” has historically beckoned its viewers to withstand and the natural world to survive… Often tied to a journey of self awakening, the Australian new wave period signalled a broader self-assessment of national identity, one that tantalised freedom with unpaved adventure and hedonistic abandon. Desert music plays explores the construction of Australia on screen and its relationship to the extractive momentum of ‘progress,’ ruminating on subjectivity, celebrity, and Country as subject.
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Desert music plays is exhibited as a part of the KINGS Emerging Curators Program 2024
The KINGS ECP curatorial mentors in 2024 are Tamsen Hopkinson and Ashley Perry.
In 2024 the KINGS Emerging Curators Program is supported by the Arts and Creative Investment Partnerships funding from City of Melbourne
See the exhibition room sheet here.