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69 Capel Street, West Melbourne VIC 3003

Open 12pm-5pm, Thursday - Sunday

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KINGS Artist-Run is a wheelchair accessible venue. Unfortunately, there is no wheelchair accessible toilet. Please contact the gallery with any access requirements and we will endeavour to support your visit.
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About

Kings Artist-Run provides a location for contemporary art practice, supporting distinctive experimental projects by artists at all stages of their careers.
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KINGS Artist-Run acknowledges the Wurundjeri and Boonwurrung people of the Kulin Nation as the Traditional Custodians of the land on which we operate.

We offer our respect to Elders both past and present and extend this offer to all Australian First Nations people.

POP-UP: Now and Then

Matisse Laida
Nicholas Currie
Nisha Hunter
Olivia Stephen
Playte
Priscille Xavier
Curated by We Eatin' Good


03 April 2025–05 April 2025

Now and Then is an immersive exhibition that reimagines food as art, exploring gastro-sculpture and the ways intergenerational knowledge is preserved and transformed.

Through scent, taste, texture, and movement, Now and Then transforms KINGS into a living archive of culinary memory. The exhibition brings together artists working across sculpture, textiles, installation, and performance, using food as both material and medium to explore cultural resilience, migration, and shared histories.

At the heart of the exhibition sits a monumental vessel filled with gâteau piment, inviting visitors to partake in the act of eating as a means of connection. Now and Then asks: how does food carry history? How does it move from one place to another, one hand to the next?

See all projects by:


  • Matisse Laida is an creative producer with a commitment to empowering and uniting underrepresented communities, particularly Queer, First Nations, Black, and people of colour. She founded We Eatin’ Good, a collective that fosters connection and shared experiences through food and identity.
  • Nicholas Currie’s work feature’s themes and subject matter of contemporary Australian Indigenous masculinity. These histories come from shared perspectives and are demonstrated with the use of colour, mark and the familiar objects. Iconic features of Currie’s practice are the large-scale paintings created through mark making performances entrenched and achieved by the body through chance, rehearsed actions, playing with medium and culturally significant movements. To coincide these paintings on canvas is the sculptural and performance practice with the use of readymade martial linking with iconography associated with the Australian Indigenous experience. As a result action in the space is the major linking aspect throw-out my whole practice if it be active with a performance or still with an artwork.
  • Nisha Hunter lives and works on Wurundjeri Woi Wurrung Country.
  • Olivia Stephen is a dynamic curator, artist and member of We Eatin’ Good. Her multidisciplinary practice explores her Mauritian and Rodriguan heritage, using food and music to foster dialogue, shared knowledge, and community connection.
  • Playte are a gastro-architect duo who use local food as a tool to create site-specific experiences exploring the intersection between art, architecture, food security and Heritage.
  • Priscille Xavier of Châteaux Creole uses flavour as aphorisms to invite you into the open source of knowledge. She uses methods for igniting memory and resonance, all through the pleasure of discovery and devotion to Earth