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69 Capel Street, West Melbourne VIC 3003

Open 12pm-5pm, Thursday - Sunday

Disability Access: KINGS Artist-Run is a wheelchair accessible venue. Unfortunately, there is no wheelchair accessible toilet. Please contact the gallery with any access requirements and we will endeavour to support your visit.

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About

Kings Artist-Run provides a location for contemporary art practice, supporting distinctive experimental projects by artists at all stages of their careers.
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KINGS Artist-Run acknowledges the Wurundjeri and Boonwurrung people of the Kulin Nation as the Traditional Custodians of the land on which we operate.

We offer our respect to Elders both past and present and extend this offer to all Australian First Nations people.

water sleep II Akaike river under Xizang Road

Su Yu Hsin


14 April 2022–07 May 2022

Maps are controlled by nation-states: who creates them, what they will look like, how they will be read, and how they will be shared. water sleep II Akaike river under Xizang Road (2019) is an essay film in which the artist guides us to find the lost river in historical maps. Taipei/Taihoku City Planning Map with Bird’s-eye View (1935) and Taihoku Aerial Map, American Army 14th Air Force (1944) represent the colonial history of Taiwan. The process provides another reading through decolonizing gaze of maps and turns the focus toward evidence of objective portraits of the landscape.

water sleep II Akaike river under Xizang Road is presented as part of STRAY VOLTAGE, KINGS Artist Run’s iterative video program, collaboratively facilitated by Rebecca McCauley and Aaron Claringbold. Looking to the potential that exists between seemingly incompatible ideas, STRAY VOLTAGE premises an experimental program of critically engaged moving image works, fundamentally grounded by the earth.

STRAY VOLTAGE is supported by the City of Melbourne 2022 Annual Arts Grants Program.

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  • Su Yu Hsin (b.1989) is a Taiwanese artist and filmmaker currently based in Berlin. She approaches ecology from the point of view of its close relationship with technology. In her film and video installations, her artistic research reflects on technology, ecology, and the critical infrastructure in which the human and non-human converge. Her analytical and poetic storytelling focuses on map-making, operational photography, and the technical production of geographical knowledge.