Naarm based artist Grace Culley explores the language of Gilles de la Tourettes syndrome cyclically existing between public and personal spaces. Recycled materials, industrial tools and materials form visceral relics of their process to ease impulses, investigate social, institutional and personal metaphysics of tics and open informative discourse about the misunderstood enigma of Tourettes. They invite the audience to question intent, offence collapsing in on itself and remember that some of us swear and some of us don’t, just don’t stare.